From Desiring God:
More than seventy-five years after J.R.R. Tolkien wrote The Hobbit, the glory and majesty of Middle-earth continues to draw millions of readers, and more recently, moviegoers. This week, theaters prepare for Friday’s opening of the acclaimed new movie The Hobbit: The Desolation of Smaug.
Partly, Tolkien’s enduring popularity can be explained by the way he artfully touches the greatest themes of our collective experience of this world. Tolkien draws on themes of glory and majesty and kingship — intangible and abstract realities not easy to tap in art — and deeply embeds those themes into Middle-earth.
On a massive scale in The Lord of the Rings, and on a smaller, but no less significant, scale in The Hobbit, we encounter the longing for the right king to emerge from the shadows and to recapture his rightful empire, an ancient yearning older than mythical kings like King Arthur…
Read the rest here, to the eventual conclusion:
We don’t want kings, but our modern disdain to be ruled by them cannot snuff out this “memory trace in the human race.” As much as we modern, king-rejecting, independents may reject the thought, we really do know we were made to be ruled, made to be governed by a perfectly righteous King, a king worthy of all our obedience and service, who will finally usher in perfect peace and unleash rivers of joyful abundance so great that piles of gold coins will fade to metaphor.
This is the allure of Middle-earth.
We are drawn to Middle-earth by this swelling, ungratified longing for the Day when the true King will return to evict the vile dragon and reclaim the land he has, in reality, always possessed (2 Timothy 4:8).
The prophetic songs are in place.
Even so, come Lord Jesus!